Félix J. Palma Quotes

There is little more I can add short of dissecting the man, or going into intimate details such as the modest proportions and slight southeasterly curvature of his manhood.

1004

Why had his mother gone to the trouble of bringing him into the world if the most exciting moment in his life was having been made lame by a bayonet?

4239

...the passage of time, which transformed the volatile present into that finished, unalterable painting called the past, a canvas man always executed blindly, with erratic brushstrokes that only made sense when one stepped far enough away from it to be able to admire it as a whole. -pg. 19

4107

...for what was time if there was no one to measure it, if there was nothing to experience its passing? Time cold only be seen in the falling leaves, a wound that healed, a woodworm's tunneling, rust that spread, and hearts that grew weary. Without anyone to discern it, time was nothing, nothing at all.

3345

...the wrath of God pales beside that of man.

1089

I am an artist. And An artist is simply a man who is pulled along by a river: on one side sanity lies, and the other madness, yet he will find no peace on either, as the current of his art drags him away from the everyday life on it's banks, where others watch, unable to help him until he reaches the immensity of the ocean.

4204

I'm convinced the true history of our time isn't what we read in newspapers or books...True history is almost invisible. It flows like an underground spring. It takes place in the shadows, and in silence, George. And only a chosen few know what that history is.

3639

Man needed to dream. Yes, he needed to believe in illusions, to aspire to something more than the miserable, hostile life that suffocated him.

3519

Y un amor así estaba destinado a eclosionar en todos los universos, aunque su número fuera infinito. No podía ser de otro modo. Le resultaba imposible creer que existiera en alguna parte una realidad donde algo tan milagroso, un sentimiento tan grande e inevitable, no hubiera surgido entre ellos.

1761

[A] writer’s most powerful weapon, his true strength, was his intuition, and regardless of whether he had any talent, if the critics combined to discredit an author’s nose for things, he would be reduced to a fearful creature who took a mistakenly guarded, absurdly cautious approach to his work, which would end up stifling his latent genius.

2085